Why Is My Emulator Lagging

Recommended Award

SCENE was recognized in 2010 Florencio Sánchez

The jury Florencio Sanchez decided to award a prize of $ 500 Autonomous Theatres (SCENE) in recognition of his work in defense of independent theater and dance.

The award was presented by President of the Casa del Teatro Roberto Dairiens during the ceremony Florencio Sánchez's 2010. SCENE

appreciates this recognition from both the jury and to the Casa del Teatro, and reports that the money will be used entirely to support the production of Km 29, a social-art project linking five young men from Gonzales Catan at risk of exclusion with a group of artists led by Juan Onofri Barbato, a show that will be performing duties at this year's Theater of the Dog, a member of SCENE space. Self Theatres

erupted in mid-2010 with the goal of launching a program of reflection and action around the legal issues, economic, political and aesthetic, which currently affects the operation of the spaces to which it represents.

result of this struggle, the law was enacted in 3707 the Legislature of the City of Buenos Aires, the first of many steps needed to protect and promote the development of these rooms. SCENE

But, moreover, is an association that seeks cooperation among their constituents to develop a network of artistic events of great vitality, as was the DOSMILDIEZ SCENE WEEK. Integrate

SCENE:

ABRANCANCHA ROOM CLIMBING, THE CRUCIBLE, THEATRE OF THE DOG, THE PACHA, VERA VERA, THE ELAN AREA, POLAND SIMPLE DEAR ELENA ARTS, BARKING SANCHO, MATIENZO CULTURAL CLUB, THEATRE CLUB DEFENDERS Bravard, ELEPHANT THEATRE CLUB, ATYPICAL MACHADO, MAROON, WEST GROUP SCENE, PUMPKIN PRODUCTIONS PARADISE.

organizacionescena@gmail.com

Help My Wife Is Fat, Black, And Ugly

JOAQUIN COSTA, AGRICULTURE AND ECOLOGY HARMONIC BY JOAQUIN COSTA

My Birth occurred May 15, on the second floor of the shop The Last in Barrio Luján, San José Central District of Costa Rica. In this suburb of teachers and workers passed my first twelve years. My family, by Barboza, were artisans and furniture Barboza my grandfather, of Italian origin, had a furniture factory with your name. The Vargas family, descended from Rio Grande in Athens, and my grandfather James sold the land to find gold mines Abangares. then settled in San Jose with their children, becoming merchants, grocery store owner whose The Last where I was born, was the uncle Victorino.

El Barrio Luján Ocloro ended at the river, where it began the large paddocks of pasture for cows and horses funeral, for there correteábamos, fished small goldfish and we swam in clean waters. Later went to live in the district of Zapote, about 4 km. east of Barrio Luján and changed the landscape here, as the air of people was more pronounced, and consisted of the church, school, football Plaza, Cinema my uncle Manuel and houses were separate batches and surrounded by coffee plantations, banana, avocado, soursop trees and large pores, spiny cedar, plums and mangoes, which kept the shade for the coffee was at a constant temperature and humidity throughout the year.

most impressive thing was to get a February morning coffee and see all white, covered with flowers, and the aroma of coffee filled the air. end of the year when you had to pick the fruit of the coffee, we were all children, adolescents and women the area to pick it up, to earn some money and bought soccer balls, books and notebooks for school. I say this because I spent my youth in a country like Costa Rica, land of volcanoes, which pioneered fifty years ago Development Sustainable and protection of nature as a vital for the survival of human beings so they can develop environmentally .

In my life as English, from 1968, when I came to Spain to study art, met the painter Fat Teresa Aragon, with whom I was married, and by grounds of his family heritage, I was involved again in nature, a twist of fate. About the year 1993, I had to learn to cultivate the land of Aragon near the Ebro, in such diverse products and to weather the Tropic, wheat, alfalfa, apples, poplars, and this is where Joaquín Costa in my culture, not the political side but on the side of a farmer, and is in the library of Aurelio Fat where was the publication of the first edition of 1911 book Harmonic Agriculture Volume I of the Biblioteca Joaquín Costa, published by his brother Thomas Costa.

This book I read with great interest and opened my eyes to how Agriculture is connected in the world and the effects the performance of Aragon, a farmer a farmer in America, or vice versa. It is a beautiful study on the use of water, the idea for the Oasis to preserve land for its aridity, it should be edited again. Here are some phrases in English and the first environmentalist interest in the land and its products:

... By virtue of the spontaneous action of these forces, metamorphosed nature of matter by passing the inorganic to organic, inert to living and obedient to the will, first made the stone, then convert the stone into bread, then bread and raw nerve muscle that circulate the electric spark intelligence and more spiritual tremors of love ....

... In it, human action has its limits: the assigned role of president and controller, but this limit is not always respected and sometimes exaggerating his statement makes it harmful. Instead of presiding over nature, the disturbance, not the drives, the precipitation, not endorsing, the for ... ....

.- Trees are the first group of workers who are given almost free to work for the emancipation of the farmer. They are docile and not very costly. Never delivered to the rest, day and night are exercise for nine months a year. Widen the ground of the country in many ways, by reducing its domain to the atmosphere, inexhaustible mine of primary elements with which the leaves produce rich and hearty fruit without the slightest detriment of the soil.

Viewing now the constant aggression and slavery to which yield to Nature, we become aggressive causing major disasters, as in recent years in the case of Haiti, Chile and Japan currently and that brings us to the need to reread this great thinker and follow Aragon advice.

... .. Crimes against nature are paid late, but the punishment when it comes, is terrible. Mueller said that a tree represents an individual's health and may be added that a tree is the guarantee of our lives and the shield of the homeland.

Carlos Barboza Vargas

View Media for Joaquín Costa in vimeo: vimeo Barboza

Barbozagrasaes@gmail.com www.barbozagrasa.com

Official Blog of artists Carlos Barboza Vargas, Teresa Fat Jord? ny Aurelio Sanchez

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Iphone Amatuer Surgeon Xmas Walkthrough

brown SCENE: REPORT FOR AN ACADEMY

REPORT FOR AN ACADEMY
A Starosta Diego theater event based on the story of the same name by Franz Kafka

Saturday of March and April, 21 hs.
Teatro San Martín 766 Payró

Admission: $ 40 (Est and Jub. $ 20)
Reservations: 4312-5922
Duration: 45 min.

Report to an Academy is the story of someone who was single and that the urgent need to survive, it entering the world of humans and is rigidly attached to it.

metaphor of the internal struggle of the individual, the text of Kafka presents a dark look on the concepts of freedom and necessity in relation to the will to act as a vital concept of man.

As part of celebrations for the 15-year The Muererío Theatre Company , this award-winning monologue written and directed by Diego Starosta recurs every Saturday in March and April in a landmark stage the city of Buenos Aires.

Performance, written and directed: Diego Starosta
scenic device: Diego Starosta / El Teatro
Muererío Assistance and executive producer: Lucy Abreu
Graphic Design: Mauro Oliver
Press: Claudia Mac Auliffe
General Production: The Theatre Muererío

Released in 1998, Report to an Academy has been featured in various cities of our country and abroad (Uruguay, Brazil, Peru, Spain, Denmark, Norway, Czech Republic and Germany). In 2001, he received the first prize in the contest of one-man drama "UNO / occupies the empty space, organized by the Cultural Department of the City of Buenos Aires. He has also participated in 2007 and 2010 Biennial Kafka-Borges, an event that was supported by the Secretariat of Culture of the City of Buenos Aires.

muererío THE THEATRE - 15 years - 1996 / 2011

Time is expressed in actions, performances, workshops, seminars, meetings, exchanges and tours that define the uniqueness of a tour.

Upcoming events:

April
HANDLING II: YOUR BABY WAS A CONVENTILLO.
Approaches to Alberto Vaccarezza
Part Premiere: April 2 - Theatre Ostrich No
21 pm Saturdays.

July
HANDLING III: THE BANQUET.
Release - Board to confirm

November
Book presentation:
FEET ON THE ROAD.
15 years of the company El Teatro

Muererío +
intensive summer workshops. Muererío study. February.
intensive workshop. Teatro La Máscara, Rafaela, Santa Fe in February.
annual workshops. Muererío study. March to November. Workshop
bimonthly. Payró Theatre. May and June.

The Muererío Teatro Avenida Córdoba 5520

info@elmuererioteatro.com.ar

www.elmuererioteatro.com.ar

http://diegostarosta.blogspot.com

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Do Men Enjoy Breastfeeding

BARBOZA, AURELIO A HISTORICAL WITNESS ANOTHER FAT

Today March 7, 2011, in the Field of Culture of the English Court of Walk Independence, in Zaragoza, has presented audiovisual Joaquín Costa, funeral and tomb , based on Fat Aurelio photographs taken on the occasion of the funeral of the famous Aragon in Zaragoza in February 1911, publishing its first books and artistic works that were made in his honor as the three draft sketches mausoleum José Bueno, unpublished in his image and that have been presented for the first, and a portrait of Joachim Balasanz Victorian Coast, 1913.

The conference was organized by the Royal Photographic Society Zaragoza, and was presented by his deputy, Dr. Santiago Chóliz, who made an in-depth portrait of the figure of Costa and his historical moment. Aurelio Fat daughter Teresa spoke about the techniques employed by his father on this occasion and the collaboration of the Archives of the great pianist Pilar Bayona Oscar Esplá performing works in this second part. All this belongs to the archive documentation graphic and audiovisual Fat Barboza was made by Francis Barboza Fat, grandson of the photographer. Reporter Heraldo de Aragón, Juan Dominguez Lasierra sent us the following for this occasion:

raining when Costa's body through the streets of Zaragoza Road Torrero. Could not be otherwise. More than 30,000 people had passed before his body. Thousands more accompanied his remains to his final resting place. Unless the streets and squares that swept the procession, the rest of the city was deserted. Zaragoza had no other task that day to bury Costa. It was Sunday February 12 and raining, a symbol of pain but also of regeneration, costista commitment. As Costa's own death, in the sense of those who wept sincerely hoped that the end of its passage through this world a reason to revive their legacy, to fulfill its redemptive message. Death and resurrection of Costa.

And Zaragoza funeral lived the biggest event in its history. Also the biggest explosion of grief and affection to anyone. And that the fate of the remains of Costa controversy was absent. A figure of his stature was made to the Pantheon of Illustrious Men of the motherland. But Aragon reclaimed. A Herald campaign set in motion within hours of his death. He found general support. Although there were stronger impulses. Embalmed body of the deceased, day 10, at o'clock in the morning, the coffin came from Graus in a galley Barbastro way. He received the first honor of the population and surrounding villages. Transported to shoulder the burial box to the station, the train started its trip to Madrid. But between Barbastro and Graus was Zaragoza, and there thousands of locals willing to have their remains will not pass on the season of Arrabal. And here they stayed. The hardworking Baturro finally managed to stop the train, and never left. Costa had expressed the desire to be buried in The Force, a mountainous area that he saw from the balcony of his house Graus. And others imagined that would only Moncayo at the height of its glory as eternal rest. Costa's head there, as in a new Memorial Valley, his voice would reach gale moncaína from all corners of Aragon.

Coast had become a legend in his lifetime, and his death could not remain indifferent to the final discussion of so many heroes. Cheney, his latest biographer, notes the fact, "bizarre and symbolic" in the registry Torrero Cemetery has no record of his burial, his body does not exist officially. Who knows if in the end, Costa got his wish, his ashes are mixed grausina land with the Forces. But the fact is that Costa, the legend, the symbol, the new Moses of Spain during the exodus, is buried in Zaragoza publicly.

all the respect, admiration, the fervor that inspired the personality of Costa life at his funeral was the time of hatching. A sentimental overflow of such caliber as little is known in English history. As if such veneration, so much love, thanks so much accumulated along its path generous public man had not sufficiently reflected in life, people, ordinary people, the people whom he had always goal of delivering vital, perhaps understanding reached at the final moment, in their final withdrawal, which disappeared a man, a man without peer, only this time in English history for its uncompromising honesty, with whom he had a debt infinite. Hatching, the overflow burial Costa was the payment of that debt, but no missing momentum in the guilt of those who, in recent years "Graus lion" of a coast that was reached to qualify as a "great failure" did not have with him the recognition he deserved the generous, the absolute dedicating his life to the cause of others. Costa's funeral was a flood of all these feelings, summarized in two, admiration and debt.

Already the first of the Herald editorial, just know the death of the illustrious Aragonese, as revealed with much pain, with clear proof of guilt

"Costa has died without Aragon, his homeland, has been proven by facts known to the love that you had one sow illustrious son, most exact, on whose generous spirit made no dent grievances, or ingratitude the offenses received in this land theirs, which embodied the higher fruits of his genius, the purest essence of intellect, the warmest glow of noble and courageous. Costa has died without receiving a tribute of admiration Aragon. With heartache we say, is dead without their countrymen Costa met with him in life, elemental and holy duties to which we were all required. "

After the coffin of Costa parade that evening of February 12, 1911 all Zaragoza, Spain's historical consciousness. So Herald headline the next day that day, full-page "National Tribute to Coast".

In that event we have numerous literary evidence. But we also have a graphic testimony of the first order: the photographs the young Aurelio fat, then photojournalist Heraldo de Aragón, performed for the newspaper to other media such as ABC, whose pictures were front page of the newspaper in Madrid. Both impressive tour of the remains of Costa by Zaragoza, already reported, as his burial in the cemetery of Torrero, were immortalized by the camera of the young Aurelius, with the limited means of the time, got a complete historical record of those moments. At the foot of one of the photographs published by the newspaper Zaragoza reads: "The coffin Costa at the time of being deposited in the tomb of Torrero Cemetery. Photograph obtained with light magnesium last night for the Heraldo de Aragón by Mr. Fat. " This simple caption and illustrates some significant details of their work. The chief of all, in addition to technical data, which Aurelio knew to be in place at the time of the news, the first duty of every reporter. In addition, Aurelio had been previously advanced to the location shooting event rest of that funeral before his body is occupied, and thereafter as may be seen in the video that is presented here, Aurelio continued to address the evolution of that Coast burial until the final conclusion of the mausoleum that honored the illustrious Aragonese Zaragoza. Photo of Aurelio milestone costista Fat is also the extraordinary portrait of the Herald study commissioned for dedicated photo gallery.

The video presented here is, for all, a historic document of the first order, while photography, whose recovery from the family deserves Barboza-Fat our gratitude. At this time of commemoration of the centenary of the death of Joaquin Costa, this realization is undoubtedly one of the greatest contributions of novelty and interest. A tribute of exceptional importance.

Juan Domínguez Lasierra

February 2011

View Media Joaquín Costa in vimeo: vimeo Barboza

barbozagrasaes@gmail.com www.barbozagrasa.com

Official Blog of the artists Carlos Barboza Vargas, Teresa Jord fat? ny Aurelio Sanchez

Fat