Sizing Proshow For Email

ARTICLES IN COSTA RICA DE BARBOZA 1978-1990 FOR THE HERALD ARAGON-115 SANCHO FAT YEARS

El Heraldo de Aragón published this year 2010, each month a special supplement, coordinated by Lucia Serrano, who reminds us that 115 years is currently reporting Aragonese, and which along with photos of Fat Aurelio, who began working in the newspaper in 1910 to 17 years, we, both Teresa and I, we also participated with our photographs and various items around the field of Art .

Supplement on Sunday 25 April, is dedicated to 115 years ... ... of reports and on page 40 of that number, is an article by Juan Antonio Gracia on our restoration work on the dome Regina Martyrum de Goya in El Pilar, entitled When Goya recovered its best published August 12, 1982 (see Supplement ... .. 115 years of reports).

In 1987, Teresa and I came from Madrid to restore the wall paintings of Goya in the Cartuja de Aula Dei and having experience as a correspondent for the Excelsior Art of Costa Rica Madrid, started working at the Herald with articles on art. On April 16, 1978 I wrote my first collaboration was entitled techniques used by Goya engraving , where I explain how they work and aquatint etching on your great graphic work on metal, lithography is a separate chapter in graphic work. Then I start to discuss the various presentations that follow these years in Madrid, due to the large opening to the twentieth-century art, such as New York items in Madrid, enlightening the future Bourdelle, Etchings and lithographs by Picasso that was published in the Arts section leading the critical Angel Luis Garcia Azpeitia and Bandra. Continued issues as Piranesi, Goya and contemporary in Aula Dei, 24 works of Moderwell, Antonio Saura in the building and Arbós Pablo Ruiz Picasso in Barcelona , published in a special supplement on the occasion of the centenary of his birth. The jungle being has gone to Europe: Wifredo Lam died, Fuendetodos, Goya and Durer.

created in 1983 Supplement Arts and Letters in which collaborated in the design of his head and ran the journalist Juan Dominguez Lasiter. There published The Art of the everyday: Luis Melendez, Andy Warhol, American Realism arrives in Madrid, The IX Fact Symposium call has ended, where I talk about this important event has now disappeared, which was led by the sculptor Peter Tramullas and we collaborate Teresa I since its inception. still paranoid-critic-Gala Dalí in Madrid.

Enrique Gastón organized exhibitions Jaulín recorded, and the February 13, 1983 I wrote about the exhibition of Prints by Ramon Bayeu in Jaulín. July 24 was published looked discovers children or Children discover Miro, and in 1984 published Callot, nature and Jaulín and the last article of that year was Dalí, Dalí always.

goyista in 1985 and remember the cataloger José Gudiol in Gudiol The teacher has died, like in 1986 spoke of the sculptors of Costa Rica and friends, Juan Rafael Chacón and Charlemagne Venegas who left an important work in Aragon, and especially in the Hecho Valley, as it was one of the collaborators in the Simposiun of outdoor sculpture.

In the nineties, I speak of a new recorder Aragon is now a reality, Mariano Castillo, to exhibit at the Museum of Engraving Fuendetodos under the title Caprichos my whim. Earlier in the museum had exhibited the work of the Royal Academy of San Fernando with Recorders Goya's time. Teresa and I then presented our graphic work, starting a long career exhibition of contemporary graphic work that accompanied the work of Goya, Fuendetodos make an international center of the engraving. Today we continue to work with the Heraldo de Aragón in a fruitful friendship.

View full articles in picasa.

Carlos Barboza

Official Blog of the artists Carlos Barboza Vargas, Teresa Fat Jord? Ny Aurelio Sanchez

Fat

Tiffany Granath, Night Call

DREAMS

COHANACO

prefer brutal honesty to hypocrisy cunning: the cause of indigenous peoples former Indian tribes, Indian ex merda, former group of wild little creatures that do not deserve to live on earth rather than to work as slaves never touched me at all.

However, given my status as middle-class Buenos Aires with concerns that go beyond the General Paz , educated under the system sarmientiniano "succeeded in wiping out the Indians? For the savages of America feel an invincible repugnance could not help it. (...) Unable to progress. Their extermination is providential and helpful, sublime and great. They should be exterminated without even forgive the boy, who already has the instinctive hatred of civilized man, "by Domingo Faustino Sarmiento - 1844 © , and top with the Cross Catholic indoctrination of a denier of violence on behalf of the evangelization of the new continent remember that the priests at my school, always on the eve of October 12 to smear the floor and wash the sins of his Church, crushed to students with this awesome movie was The Mission, where the Jesuits Robert De Niro and Jeremy Irons gave (apparently commonly used word among members of that congregation) your life to earn heaven, but no Oscar unfairly, and the Indians were more than mere instruments of that gain, all framed by a picture postcard did get the statuette from the Academy, a music made of winds and strings to bring the excitement efectivísima even in the face of insensitive spectator, and represents a breakthrough that my head has been questioned that story was long one that I had the first time I heard another version was in 1992, during the 500 years of ex discovery of America, now, always Later, consensual process of colonization and extermination / until that year in college studying memory location of the tribes into a political map number 3 (three) but no one explained how and why it had been wiped out of the territory / great truth: map is not the territory and has offered a reason for all communities who were victims of genocide for any historian irrefutable that Dante had its corollary here with the Desert Campaign that people like Conrad commanded Exalted! Villegas (Vallejos in Puig's work) and July (right) Argentino Roca, who, as noted by Osvaldo Bayer, for that and other clubs, he erected The most imposing monument in Buenos Aires, followed closely by Bartolome Mitre, another national seedling! / How long I had this paragraph! I hope that readers will not be lost among so many piles letter.

But move me, or at least feel guilty for this melodrama in our history? What I can have a guilty conscience I, a descendant of immigrants outcasts if any of the maternal, Irish starved post-crisis potatoes, and the paternal, Sephardic Jews who had to change their surnames, religion and customs to avoid death (tor) burned at the stake that after three or four generations wandering these land, my names are not yet even in the writing of a studio in the neighborhood of Almagro other bastard conqueror / air wonder: am I still middle class even without property?, in this case, membership is a privilege?

Against this background, I sat in the Cunil Cabanellas to attend the premiere of The Dreams of Cohanaco, Leandro Halperin and Mariana Chaud, towards the latter. When you open the program, read the following warning: "... it is an essay on indigenous peoples, not a scientifically rigorous study of anthropology. It is a fiction about a Tehuelche chief and his people .... " Those lines that precipitated my desire to immediately begin the show because it fits perfectly to my expectations and disabilities to get involved emotionally with a theme set in front of others for the reasons.

A play about Indians located at odds with the politically correct ways and drop the odious line that always seeks to do justice in the wrong scenario. That's what I wanted to see and, as expected in such professional people often meet more than what they promise in the playbill something that not all can boast playwrights, that's what I finally saw. The dreams of Cohanaco is great entertainment use this word but be hateful to (in) a black palate of our alternative scene (long ago ceased to be independent, what do you think?) virtuous because it has a cast (the tandem Acuña - Carricajo - Cupar - Gobernori - Mac Auliffe - Prociuk - Rittano ) not daunted meet the requirements of registration fantastic actors between sleep and wakefulness, recreating situations very funny confinement, a direction that justified their decision-making every dollar invested in this show I am writing this to reassure those who ensure the correct use of public funds , a drama capable of producing flight gags without neglecting the poetic text, a stage of post also required sanmartiniano full gear, and clothing that promotes the work of characterization of the actors.

The characters are crazy, but not cease to be cherished. Therefore, during the denouement, the work defined as a knot that breaks out and helps you to understand, really, to me I felt a lump in my throat. Is that along the slow blackout lights, we realize also is shutting down the lineage tehuelche virulence because of the English and the Mapuche opportunism, today are only fifty people standing who speak the language of that tribe . To catch the light room, not shouted bravo! because I needed the voice as Cohanaco and I stood up because my legs were shaking as Cohanaco but I swear that my clapping was most strident. He had just been moved by a story that, moments before, he felt out of my orbit ethnocentric interest.

.

Of course, this does not mean it will all of a sudden become a militant of the Indian struggle, but I get a little more sensitized to the abandonment in which people are now originating which could not reach the speech in fire me an activist or a history book full of accurate information or a television report bordering with the melodrama, I got this play almost unwittingly.

COHANACO DREAMS

Mariana Chaud and Leandro Halperin
Address: Mariana Chaud

With: Rittano Augustine, James Gobernori, Daniel Cupar, William Prociuk, Luciana Acuña, Elisa Carricajo and Claudia Mac Auliffe

Production Coordination: Macarena Maurino
Costume: Carolina Loyola
Sosa Sets: Alicia Leloutre
Lighting: Gabriel Caputo
Music: Emilio Haro
artistic Assistance: Laura López Moyano
Assistant director: Miguel Garzón

Functions: Wednesday to Sunday, 20 pm.
Stalls: $ 45 .-
Wednesday, popular day: $ 25 .-


Teatro San Martin Sala Cabanellas Cunill


Avenida Corrientes 1530 Box Office: 0800-333-5254

THE ORIGIN OF THE ORIGIN

The work Cohanaco's dreams is not an exhaustive study of culture tehuelche, but because of the quality of its proposal, surely for many viewers will be a starting point to further reading and reference sources. Then, list three websites that have good data:

www.ica.org.ar Page Aboriginal Cultures Institute, whose physical headquarters is located in Córdoba. The objective of this institution is to rescue, promote, defend and preserve the participation and development of indigenous cultures in contemporary society. It has a library with 241 titles, a research center and a center for community involvement. Since 2005, the ICA is organizing the Congress of Native Cultures, which has so far three editions. Among its projects is highlighted Pachamama magazine and working cooperatively Printing. Finally, mention that in your seat races are held senior Professorship in Anthropology, History and Music; technician in Aboriginal Languages \u200b\u200band Cultures, focusing on Quechua, Mapuche, and Guarani Folk Superior Technical Research.

www.mipatagonia.org This site aims to discover the true Patagonia through its people and the reality of each region, functioning as a space where they can express patagones, disseminate and promote stories and facts conscious development and sustainable natural wealth and human Patagonia. Among its sections, highlighting the Wiki, with information on tehuelches and the Mapuche.

www.noticiaspatagonicas.com.ar / services / leyendaspatagonicas.htm Ideal to hear legends and words tehuelches.

Toy Storybirthday Party Wording

AURELIO AT SCHOOL OF SAN FELIPE, Pablo Gargallo Museum TODAY

In the Plaza de San Felipe, No. 8, steeped in ancient beauty plaza retaining the memory of the New Tower, demolished in 1892, Aurelio was born on March 11, 1893, being the second youngest of the brothers. His parents, Joachim and Heloise Fat Sieso Sancho Serrano owned "The Golden Ball 'bazaar that, according Moneva, "the public was, had gone for, taught by experience, which was not in any other shop in Zaragoza, from chess sets to the best instrumental steel or Solingen Manchester."

Starts in 1899 primary school in the nearby College of San Felipe is located in the Palace of Argillo, and we see in photo Mur part of the whole infant classes with its two religious teachers in the center. That year, six years his father congratulated with a postcard dated at:

Zaragoza, August 20

Dear Santa: I would present him in this day and V. deserves, but a child of six years, what do you do? Four poorly drawn doodles and nothing else. Because receives congratulations on his birthday, as known to express his son Aurelio.

Gets Award 1 st Class in 1905. In 1906 he made his First Communion in the Church of San Felipe and Santiago, are twenty-two communicants, and retain the graphic picture of the event Enrique Beltran, whose study was already in the calle Alfonso I, 1 º. The children wear their best clothes, the three teachers in the school and Aurelio between them. Beltrán then portrays new hairstyle for the occasion. His parents give him a bicycle and a camera, beginning in these arts with his older brother Joseph, who was a cabinet photo Montera street, 8.

One of the first photographs Aurelio preserved date from 1907 and narrated in a photographic impeccable, published in Black and White Madrid, the vicissitudes of an event that was in suspense to the city in that year : The escape through the streets of Zaragoza and prosecution of abusive police Mr. Elio children who took refuge in the Church of San Felipe, where he was arrested and taken to the police van. Fat Aurelio, from three balconies of the building next to the Torreon Fortea, we realize the scene and the movement of people determined not to miss the event. On the back of the photographs sent to the White and Black, is describing the moment his autograph.

See our blog entry: Aurelio Fat and Belmonte in a book by Alberto Bayod,

August 4, 2009

In 1908 performed with the camera Tick a collection of photos of landmark buildings to the English French, even before its release, with special emphasis on recently discovered a Roman mosaic. Also portrays their immediate environment, his brothers Emilio and Joseph and the photographer Ignacio Coyne, the family business, his dog and his cat, his friends from the Plaza and the College of San Felipe and El Pilar. The group of children playing marbles in the Plaza de San Felipe, with his College in the background, gives an idea of \u200b\u200bstudent life of Zaragoza at the time. Kids have fun after school playing outdoors at sunset, and marbles are sufficient to achieve happiness. Aurelio Photography The cow also Mr. Director of the College of San Felipe , a beautiful cow full of milk, watching the photographer, with his keeper, a peasant slim and serene, with his cigarette and faded beret. On the back of this photograph reads autograph, we refer to the legend, ie from the beginning Aurelio photographic paper and noting the event, as if sensing that would provide data for future observers who were not at that time . This is all a foretaste of the reporters from the years of 1930 in Europe, documenting the military events they attend, such as Cartier Bresson.

Aurelio gets on the roofs of the buildings in his neighborhood to make out the skyline of Zaragoza and describes the overview of a city in which the rooftops of the brick tower emerges San Pablo with his majesty Architectural captured by a boy of only fourteen. Witnessed the birth of a genius Aragon of photography, born in the Plaza de San Felipe No. 8 and educated at the College of San Felipe, Palacio de Argillo, today splendid Museum of the sculptor Pablo Gargallo, thanks to the generosity of his daughter Pierret Gargallo and the great contribution of the City of Zaragoza.

Fat Teresa Jordan

See picasa: Aurelio Fat Sancho at the College of San Felipe, now the Museo Pablo Gargallo.

Official Blog of the artists Carlos Barboza Vargas, Teresa Fat Jord? Ny Aurelio Sanchez

Fat

Lol :p Public Sharking Euro

comment Brown recommended

COHANACO DREAMS

Mariana Chaud and Leandro Halperin

Address: Mariana Chaud

Cunil Chamber Cabanellas

Teatro San Martin Corrientes

1530 Premiere: Thursday, April 15

Features: Wednesdays through Sundays, 20 pm.

Admission: $ 45 (miérc. popular day $ 25)

Cast: Agustin Rittano, Santiago Gobernori, Daniel Cupar, William Prociuk, Luciana Acuña, Elisa Carricajo and Claudia Mac Auliffe

Set Design: Alicia Leloutre

Costume: Carolina Loyola

Sosa Lighting: Gabriel Caputo

Music: Emilio Haro

artistic Assistance: Laura López Moyano

"Promedia nineteenth century, deep in Patagonia ... A group of tehuelches led by their chief run through these territories Cohanaco chasing the game ends and starring real Indian epics. But the adventure is not just them. They join Mr. Sheffer, an English sailor who are captive, and Anthony List, a fearsome Chilean criminal who has escaped from prison of Punta Arenas and the Indians visit plotting deception and generating major conflicts of the plot. But this book does not just imagine a fiction located in the past, but also invited to look into the present through the dreams of the chief. Somehow, while we dream today Cohanaco, he shows us soñándonos turn to us. "Mariana Chaud

Breast Cancer Survivor Drink Perrier Water

Comment Comment brown brown

DISCLOSURE

The idea of \u200b\u200ban omnipotent, creator of heaven and earth, which protects those who believe in its power, a benevolent God can do everything and want everything it rewards and punishes, because everything is laying his eyes on his beloved overhead remains, has been losing strength for centuries against a reality of ever more helpless.

.

However, the people, many continue to believe. And go holy saint, trying their luck with their prayers and their intermediaries requiring possible delay in the proceedings upon them (the height is the appearance of San Expedito furious, whose reputation was built by the speed of its greatest virtue, something like a fast food of the Faith). http://es.wikipedia.org/wiki/Expedito

.

Can you blame some of these faithful than both ideologically and economically a Creed? Is it applicable to all cases of Marx's famous statement: "Religion is the opium of the people"? In Latin America, "religion has not been repeatedly broth breeding ground for revolts that were intended to achieve real happiness of a people? What explains the emergence of third world priests and liberation theology? And if believers are right and wrong are those who are atheists, heretics, blasphemers, the indifferent, the bloody Marxist-Trots, anarchists who deserve to be burned at the stake, the old-fashioned?

Non sequitur! What's all this mumbling before? It happens that Revelation is a book about religion that tells (the verb is not fanciful, if not believe me, go and see) the apostasy of a woman who decided to deny God to bear the loss not his affections. A drama about the reasons for surrender to a life without faith in an impossible attempt to rationalize what needs to be irrational to last porlosiglosdelosiglosamén.

The text of Agustina Gatto, playwright of gods and tragedies, testing a concrete definition, something materialistic if you want (do you want?) Of the divine. "God is a relationship between two things is always involved," the protagonist, and an example: "When my hand is to touch the cow for milking it is an occasion of God. Talk to a holy card is insane. Milking cows, no. " In another passage, like a Franciscan, advises all humanity: "Look in the water, between the branches, look to have fixed the animal by: there is him right in the middle of nature and prayer, just at the moment the water hits a certain land, or just when the animal is about step on the mud. "

More wise, that she thinks, she understands that it is time to take action together. Then, the Franciscan becomes Anabaptist and schism in this setting eventually happens quite rightly prepared by the director Tatiana Sandoval (especially in the scene of the dog fight). With the help of the new man has entered your life, the other, John, went to seek God out there, women are encouraged to launch a messianic crusade, all the Crusades are against Catholic imagery, ranging from sermons stop stripping accompanied by a painful cry to seize the homes of neighbors to confiscate and destroy stamps. Do

success in their struggle? No. All the people's rejects. And God does not give them a hand. On the contrary. So, she decides to forsake: "I refuse! This chair and the table never met, never! Never been in them or anywhere. Grudge! Destruílas. Destroyed the entire house. I want nothing. Nothing! "If there

, Paradise would have to be reserved mainly for people like this woman, or as Francis of Assisi (who preferred to keep his Order begging outside the power struggles of the Church) or the first Luther (who dared to denounce papal indulgences business) or Thomas Müntzer (who paid with his life have tried to build the Kingdom of God on Earth), because their actions and thoughts, in good faith, give substance to this rather vague concept called free will. God, New Testament, should be prouder of them than of many parishioners who, for convenience, fear, comfort or indifference, never dare to publicly question anything that has to do with him or with whom they spew their earthly representation.

Hopefully

(which means "and God", as noted Gatto) this apostate finds his reward in the afterlife.

DISCLOSURE
Saturday 20.30 pm. Ostrich No


Humboldt 1857 Reservations: 4777 to 6956
Admission: $ 25 (Est and jub. $ 20)

Cast: Alejandra D'Agostino and Germain Rodriguez
Original Music: Guillermina Etkin
Set: Ariel Vaccaro
Costumes and Art: Mercedes Arturo
Lighting: Eduardo Perez and Adrian Grimozzi
Winter Hair: Alejandro Granado
Photo: Camilo Bartolini
Press: Claudia Mac Auliffe
Graphic Design: Cecilia Cambas
Management Assistance: Ximena García Viscarret and Barbara Di Yorio
Dramaturgy: Agustina Gatto
Address: Tatiana Sandoval

IF WE WANT

APOSTATES ... Apostasy is

denial, resignation or renunciation of the faith in a religion. Unlike heresy, which is the rejection of a certain dogma, apostasy is a total abandonment or denial of all dogmas of belief.

Today apostasy is claimed to be entitled to record as an apostate, or at least to delete all records of belonging to a particular group of believers and stop being counted, the relevant effects, as a member of the group, especially in cases where the assignment occurred without the subject's opinion, as normally happens in the Catholic Church .

In Spain, if the pastor or bishop does not serve the order of apostasy, you can complain to the English Agency for Data Protection to apply pressure and enforce the measure. In Argentina, although orders are its legal basis in the law of Habeas Data and the Universal Declaration of Human Rights and the Covenant on Civil and Political Rights, both constitutional status since 1994 there is not a state agency that serves this type of cases, probably because the little information released about the issue, have not yet become so numerous. Taking this failure of the state, the Church often delay all processes related to apostasy.

Some civic associations organized campaigns to spread the right to apostasy among the public. The last was held in March last year. There are several pages where you can find steps to apostasy:
.

www.apostasia.com.ar

www.apostasiacolectiva.org

www.argatea.com.ar
www.apostasia.es