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brown comment: REFLECTIONS, Matías Feldman recommended

Upon entering the Club Defensores de Bravard, that place so warm that, without haste and without pause, is becoming a mandatory stop for anyone who wants to make contact with the best of the alternative scene Raging examples: the cycle of solemn sketches, rough, Santiago Gobernori , I must confess that the thing I say was very promising. Does the entry only 10 pesos? itself I know the value of the input is a stupid approach to determine the value of a work, and I did not pay up, ha! There was no program notes, flyer or photoduplication to consult, if only to kill the wait. Just a poster on the wall. Scenario: Some light fixtures hanging from the ceiling, two or three comunachas chairs and a table with wheels, nice, but ... Any work without scenery? Is this possible? If an object, however slight, ugly or insignificant it was, it lies within the coordinates of a stage, does not automatically becomes a scenic view, with an added significance to the public occasionally?

In the recent edition of Colihue dedicated to the drama of Matías Feldman, is expressly clarified in sheet that reflects not have scenery. Yet for me that night was. With so little is done a play? How did they go to a festival like Rafaela?, Thought poisonous. To top it off, though I am a guy who likes to be informed good or bad, but yes, informed, had read or heard out there in this new season Luciano Suardi was not in the list and replaced him Feldman. As difficult as it is to act as his own work, he reflected, while bleeding from the wound of my own disability.

Was evident. There was a spectator. And got worse when I realized that the location of the steps required to cross my eyes with other viewers, because the lights never went out from enjoying the darkness of the classical expectation, something my phobias that night was in need. I was missing the actors do a direct participant of the future of their actions and full board! Whereas a previous

with so many clouds and questions, unless a miracle such that very occasionally occur on stage, it would be difficult for the work in question I would like even a sliver. And not just because of the work. It happens that one sits on the stalls, stands, floor or whatever , with its hardships and prejudices behind him, and unable to get rid of them in time, grasping the ends with the work of others, demanding answers he has not. It is a defect that can be blamed on some of the critics, but is also shared by many in theater. And the opposite also happens: to praise something that does not happen. Part of this great misunderstanding that theatrical communication is m as a mirror that always returns the exact image of what it forwards, a mirage that constantly mutates . Luckily

REFLECTIONS is neither one nor the other case. Because I think I am able to say that this review is consistent with the proposal of the work. And I need not ask for anything more because it gave me enough. But I also removed. Let me explain. Against my will, for over ten years working as a clerk. Among the reasons that allow me to cope with working hours, there is one that is directly connected with the theater: I am on the eleventh Rivadavia hardcover notebook with notes on the clerical world. My intention: to use one once in my favor this digest routines fact, fellowship, floor saws and oddities of the rarest, to write a great play or at least get three stars in The Nation . Well, last Saturday I hope to give a bump to that, my file, it was literally bin or basket, which is a more accurate expression for an office because of REFLECTIONS . What I will try if someone did so insurmountable, at least for me?

all starts and ends with the almost soliloquies Lucrecia played by Juliana Morgan Muras, which achieved a record disturbing, dark and poetic character that is consistent with his promise to poison the inhabitants of the city that hates. Their nihilism these inequalities reflecting high voltage Epicurean "No moral to this. It's simple act of desire. "Recalling how fragile that becomes a security system when a human decides to attack with vehemence ingenious 11/09 since that fateful know that anything can happen, so it would not be unreasonable to suggest that states spend less on defense and attack and reallocate part to education or culture, especially the theater, total ... yes, yes, of course, right now . In a world devoid of heroes, Morgan achieved to carry out their plan without meeting any resistance, until the very end, something that Hollywood does not allow any of his villains, because doing so would go to the trash basket or cultural industry superhero, as gravitating in U.S. culture. But this is theater argento and nobody will stop the Morgan, despite his own folly in the bathroom lost her diary, even a villain with diary, and in spite of rising labor has reserved a French system collapse.

Crumble is a keyword in the work of Feldman. You could say that is the main action of his later works. Quite apparent at Crumbles EXCEPT ALL THIS PAIN, reflecting a difference is in the circumstances of the characters. Marginalized those lost in a wilderness of doubtful location taken from a painting, we went to this office with ART, insurance of life, vacation, bonus and a future that looks promising. Therefore, the collapse here could be said to follow the itinerary started at the time by Ibsen and Arthur Miller continued among others, that is, those kinds of stories about individuals who swear by a system that sooner or later and betrays, or bad , makes consummate traitors. Let's see.

firm you work for Morgan also shelters as their second home-prison Francisco Gamez remarkable performance of Feldman, which set aside my nostalgia input by Luciano Suardi and gave me hope that you may be at the same time in Mass and the procession , Elevator company read as a metaphor as an elevator, please: Gamez is responsible for human resources, therefore, who digitized the rewards and punishments of that habitat suitable for carnivores , Federico Guzmán by Javier Iberdrola, one of the most versatile actors and experienced Offin, new term I just coined to refer whimsically to the alternative scene, because it is outside, in reality, it does interfere with an inside , loyal competitor Morgan one of the managers, and Florence Pelaia by Lorena Vega, ditto Drol + based on certain stereotypes build a truly unique composition , ex and current partner Gamez Guzmán. As we begin the work, the three still naively believe in capitalism. But with the passage of the scenes, disappointment sweep with his faith in the great system like those tropical storms that leave nothing standing yuck! they sent me trite comparison.

Francisco last straw resists relying on the advice and affection of her mother crazy, Alicia Gamez an anthology Matins Framework, which, like Morgan, and does not eat the glass recycling system. This allows you to surprise your child with a new teaching that is at odds with everything that he received as a legacy for their founding early life: "You never talked like that, son, and I'm sorry. Sorry for my rudeness, but it's true. If you want and you can get back at what they did and this will relieve you of feeling cheated or stupid, or whatever, do it. Do not quit. Take off the win. Do you you think anyone cares if done right? And besides, what the hell is right?! Who says?! " system and give to the anachronism! constantly says, is her favorite speech: an ethics for parsley. Meanwhile, the operators do the opposite and above hardly be imprisoned for their misconduct. That is, in my view, the spirit of the text that Feldman wrote for this character that is reminiscent of Greek tragedy, exercising his so hilarious oracle function. Unfortunately, the language used by Alice to verbalize their views too encrypted, and neither she nor her son get decoding in time to stop the sensitive but to strive to not be villain Morgan.

But those who go from worst in GLARE are Federico Guzmán and his girlfriend Florence Pelaia. The first ends demoted to the status of melancholy ghost, which purges the pathetic sentence to remember small details of his mortal life and I talk about details, I laughed a lot when Guzman pulls out the can of soda from one of his pockets . As Pelaia, to say in Creole, run out of bread and no cake, hopeless, sad, lonely and final. Of course, this pain I suffer just the characters, not their interpreter, who gives the audience the pride of being part of something well done, from beginning to end, without frills or fanfare, ABC honors the theater if thing exists: A). working text as all that make up the book "Playwriting Entrelíneas. Reflections and other works "by Colihue, highly recommended reading , BE). precise steering and skillfully resolving posed spatial jumps history, especially the first transition, truth, deserve to be in a leadership manual for his powers of synthesis and location - in the IUNA and ADEM, manuals do they use? ; EC). solid performances paraphrase Alejandro Catalán, five true divas, five authentic clowns see: http://alecatalan.blogspot.com/2009/09/una-gran-actuacion.html

Such confidence, I have no choice to get rid of my notebooks Rivadavia and start looking for another reason to go back to the office tomorrow.

REFLECTIONS

presented Saturday at 23 pm. Theater Club in Bravard Defenders. Bono contribution: 10 pesos. Reservations: 3533-2386 or reflejos.info @ gmail.com

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Almadrava the crowd, the concert, the Concert



(NOTE: I did not ask permission from the singers to raise some of these photos. My intention is totally selfless, if someone gets in them and feel uncomfortable, please to contact the email address that shows up on my profile, in order to remove the picture. Thank you.)

The afternoon passed quietly on the beach at Raco. The People came and went with a calm sea while the stage was dressed for the occasion. I arrived about 18h and was very pleasant to take the afternoon sun with a beach atmosphere different from the mass of the closest beaches to Barcelona, \u200b\u200bwhile listening to the trials of the three groups who performed that night. Even spent some time studying! I dine at a bar nearby where I could order a tofu burger with a Greek salad at a good price (the crisis reaches the Costa Brava, but we want to sell otherwise.) As the evening progressed the beach was crowded. The atmosphere was very varipinto: many tourists, families, Family and friends of the groups acting (a local group, a component of Almadrava alone, Joan Berenguer and the above) ... some with dinner, others with their cans of beer, others are dedicated to seek a mojito at the beach bar nearby ... when the night was devoted to plant someone torches in the sand, which gave a very tribal charisma to match.

I had fun. It is noted that we were knew Almadrava lyrics and sang them over a while Patricia. Beside me a man Dutch told me that he had been in previous years and knew the group, smiling fun while I said this or that other, singing many of his lyrics, I know, of course. Joan

part of Almadrava and sings a song with Patricia. We had sung his compositions alone with a member of the group on guitar. Some of his songs were full in the target of certain feelings. I liked his style and after the concert I bought the CD himself with the songs. I joked to my partner about the vultures of the SGAE and how they are to see artists who seek a living for their good work. In the background is no less shocking and somewhat sad although the current economic situation is in my opinion full of sadness. Patricia

was as always great, a beautiful woman with talent and good voice, well-educated and a joker. Has a peculiar sense of humor, very German, even though it is integrated in the Mediterranean life. He spent some of her favorite songs as Sea Distance those who said, almost verbatim, is far from him and miss. Gave us an acoustic version of a theme of Snow Patrol, Chasing Cars we liked many of those present. All under a sky full of stars and a cool breeze to dance relaxed and inviting contemplation.

I loved the concert. When I was a DJ put, following the departure of Almadrava, rhythm music to dance to that I wanted to join. My dose of pleasure and was filled with the above.

Almadrava usually hold at least a couple of events as well. I think the next is on August 7 in L'Estartit, not far from i Pals Begur.

The experience recharged my batteries with positive energy. Returned Sunday to the big city with the feeling of being completely detoxified.

If you have the chance to see them again, do not miss it. Initiatives like this be supported, especially at a time of crisis in which the concerts good outdoor music are rare. The alternative does not suffer from ecological sense ...

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Maricel went home. Today her husband went looking for the house of the guy you are. He wants to take her back. She refuses. Has nowhere to go but is confident.

"Maybe my action be a little strange, but long ago I think that often, very often, heroes, monsters are created by being so far from other men, change their minds much later and see how truly monstrous acts committed in the name of mediocrity. " Jane Bowles, two serious ladies

Claudia Maricel ..................... Mac Auliffe

Martin ............. Paolo Baseggio
............ Berta Natalia
........................... Olabi

Rubén ................ Eduardo ......... ......................... Iacono

Gabriel Marcelo Marinho

Dramatic
Cecilia Rainero

Directorate Art
Johann Wilhelm

Leonardo D'Aiuto Lighting



Gustavo Loncharich Music Video


Gaston Solnicki

Production
Barbara Francis and Cecilia Rainero

Production Assistant Silvia Baron


Produced by
Lawn

Address
Rainero Cecilia and Barbara Francis

Nude Bronze fue held Work in Progress in Panorama Ricardo Rojas CC 2009

This work has the support of Proteatro

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sunset, 17 July 2010, Platja del Raco, Pals Costa Brava (Girona)

Platja del Raco
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Almadrava is a band, a duo of a German woman and a boy Meditarráneo. Together they spend much of their lives to the musical composisición.

The type of music they create is simple, included in the current Chill out of which are a reference in this country. There are a group of bodies, but increasingly more are known.

I like, I love its simplicity, fill my space at certain times. Three years ago a great friend of mine discovered and since then I've been following his career.

Two years ago I know that organizing a summer event on the Costa Brava. Their "tour of the sunset." Concerts are held every summer in some famous beaches on the Costa Brava, with other bands on the line. It is a meeting point where different groups are chill-out concerts, interspersed with other leisure activities, framed in the environment of the Mediterranean beaches of the Costa Brava and a moment magic of the day: the sunset.

organize a couple of shows of this kind each summer. This time it will be the first who managed to attend one of them.

So if someone in the blog sphere Pals lost this weekend, evening, on the beach of Raco, be alert, for loitering around a witch who listens and sea meets the eye .. .

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Barcelona - Sefarad



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Fridays are long days for me. I'm at 7 am and return home about 21:30 h. A substitution workday I touch, I added 5 hours, because I still engrossed in the preparation oppositions (next October).


Between work and class I got an hour or hour and a half at most, I take something to eat or drink coffee before entering the academy.

At this juncture, a couple of weeks, having coffee before class, I found information on Hebrew culture in my city in the daily supplement of La Vanguardia. There is a kosher wine shop and books in the Gothic quarter, particularly in the Jewish part of this area, commonly called in my Idoma Jewish quarter. I also learned that there is what is called the interpretation of the Call Center. I was interested and decided it would make a visit to the store. As always, clueless as I am, I went to class without addresses or more data point.

work again this summer at the Hospital, primarily in the Psychiatry Department, with a raid a few weeks in other services. Work there, apart from the challenge, has the added plus of a time advantage ( a priori from 8:00 to 15:00, if I just work, of course, in the hospital "did not we drop the pen to 15:00 h) and I live not too far, involves a pleasant walk from my house, sometimes for the port and others through the Raval, Gothic Quarter La Ribera. A couple

of days, during my return home, I remembered the Hebrew store and decided to return home in the Gothic Quarter. In the Plaza Sant Jaume I stopped where I thought the call was and let my feet take a course.

After five minutes, without knowing what street he was, I had planted at the store. It's called, of course, Barcelona Call.

I went to browse. The store is in a very quiet and little traffic, is neatly organized, so that time seems to stop. I was browsing among the books, and sparkling wines sold there. Finally I asked the person attending and we just chatted for half an hour on kosher wines, Jewish culture, religion and Kabbalah . The conversation was so intense that I changed my first choice to take a book on Sephardic cooking by curiosity: The essence, the infinite and the soul , Haim David Zukerwar, the shop owner recommended me as an introduction to philosophy Hebrew.

Today I tasted a bottle of cava kosher, made in my home land Vallformosa (a small warehouse and quality for those who love the champagne). The person who served me told me some of the peculiarities of the production of champagne and wines of the status of Judaism in the world. Cava I was soft and fruity, a very good brut, with excellent value for money. Catalonia

saved many memories of our shared past Hebrew. They are easy to recognize in cities such as Girona, Montblanc, Barcelona ... has made a significant effort to recover these areas as nice (some, like the Call of Girona are spectacular).

overwhelmed the other hand I find that, compared to 1,200 million practicing Muslims (approximately) and gazillions more Catholics and Christians diverse Jewish population only amounts to some 20 million inhabitants. In my ignorance I thought it was a lot more. This detail added a point of admiration for a people that refuses to be wiped off the map even more between the maremagnum of globalization. As I noted, in Spain there are approximately 10,000 to 25,000 Jews.

not go into political issues, complex for me due to ignorance. As someone who admires the culture and learning, I wanted to know. Many years ago I spent a weekend in Girona, precisely in the Jewish quarter of the city. On the train back to Barcelona coincided with what I sensed then that should be a rabbi , with whom I had a conversation about the medieval history of Girona, this man, polite and extremely worship, sealed fond memories of that trip. Now I know in my city there are places of encounter with the Hebrew culture.

If you like good wine, leisurely stroll through one of the most beautiful areas of Barcelona, \u200b\u200bpolite and pleasant conversation, it goes through The Call and do not forget the little shop. I like it.

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Cajal AURELIO AND FAT IN THE MONASTERY OF STONE In 1919

monthly special supplement in the Herald's 115th anniversary dedicated to interviews, on page 8, recalls the interview published on October 12, 1919, which tells how his friend Aurelio Fat and Damaso Castejon, that target Monasterio de Piedra from Zaragoza, and the visit, are Don Ramón Santiago y Cajal, and they tell as follows:

... the old monastery cloister advances slowly, slowly, a familiar figure. Is unmistakable, "seems Ramón y Cajal" ... .. and a few steps, we make sure that it was indeed the great English, venerable sage .... Fat Aurelio, the young doctor, come on shy and smiling to greet the illustrious Aragonese. We also offer our respects. We all hosts without pretense, with phrases cut and fights, but in a simplicity that appeals. I bombarded him with endless questions and fear after abusing his indulgence ... "

Don Santiago explains why it is in the Monasterio de Piedra, and not in the spa town of Alhama de Aragón, and seeking solitude. Taking advantage of this proximity, Fat Aurelio, who always carried his camera this new facet of physician and traveler, he made two glass plates to Don Santiago, to maintain, and while both positive and sent them back signed with the following dedications: To my dear friend Dr. Fat, in testimony of esteem and affection, the original. In his pose, sitting in front with a fan.

In the other, which sits in profile, one of the masterpieces of English portrait photography, wrote the following: to my dear colleague Dr. Fat, in testimony of esteem and sympathy. Madrid, October 25, 1919. S. Ramón y Cajal.

was so impressed by these pictures of fat, which Mr. James wrote a meditation on aging, which were published in the Herald of Aragon on Sunday December 29, 1999, to mark the 100th anniversary of the publication of Texture, and reads as follows: What most deplore in old age (as revealed in these photographs), loss of physical and moral individuality, that nothing is more like a skull another skull. What the French call "The sad age of mourning" could be called also "The age of the portraits." Next should be the death when they ask friends and admirers repeatedly bust. Make haste to please them rather than your head, it starts to become dried skull. The glory late in the middle of old age, brings the weary spirit peaceful and gentle melancholy. About sunset pink sky larks sing no longer, but shriek bats. And above all stand great pain, we need the kiss of parental love and the kiss of Judas from enemies. The sadness of the elderly is put in that terrible phrase "there is no tomorrow." We must, however, react against that grim old feeling, not derived from the heart leaving to blows. If we are farmers, we ask God stark surprise us by planting a tree, if scientists, bent over a microscope or test tube, if writers, reclining on pages dawns, the most noble of the shrouds. Madrid, October 7, 1919 . Santiago Ramón y Cajal.

The Royal Photographic Society of Zaragoza wanted to honor one of their first founding partners, as was Aurelio Fat Sancho, and the current location have been exposed five Articles published in the Sunday Herald by Juan Dominguez Lasierra to celebrate the centennial of the first photo released by fat in the newspaper, on 13 June 1910. Following the tribute, the exhibition of eighteenth Trophy Portrait RSFZ in the exhibition hall of Fotoprix, street Pedro María Ric, together with the photographic work of members, presents three portraits of Aurelio Fat, among them is one of Don Santiago Ramón y Cajal in the Monasterio de Piedra in 1919, along with two portraits of ladies of the 30's.

Carlos Barboza Vargas

picasa See the collection of portraits.

barbozagrasaes@gmail.com www.barbozagrasa.com

Official Blog of the artists Carlos Barboza Vargas, Teresa Fat Jord? ny Aurelio Sanchez

Fat

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By chance of fate, one of I appreciate most people born on July 4, 1964. About a year ago I met another diabolical being, whose birthday the same day (and I think the same year, but I'm not sure).

While the first person I've shared many times and we talked, discussed a lot, with the second just exchanged a few emails. Both have in common is male, intelligent, sarcastic to brutal extremes, with a devilish sense of humor, brilliant in their professional specialties, a little crazy, a very unpredictable one lives in the province of Barcelona, \u200b\u200bthe other for Madrid, both are men who do not support half-hearted, loves them or hates them. I find fascinating.

This entry is a tribute to both. I will not say their names, it is very unlikely to pass through here. One hates to read, the other, since you have not know him beyond a raid on his funny blog.

However, I remember birthdays today.

An anniversary is nothing special, every day time is fulfilled, but this world is more interesting with the likes of those within.

So Congratulations to both! And, as I am totally fascinated by the music of Steven Wilson, I leave this song with the name of the album, Deadwing .

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