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3 AURELIO FAT IN INTERNATIONAL FAIR OF PHOTOGRAPHY AND 86 ROOM SFZ 2010 FIAP

December 15 opened 86 International Exhibition of Zaragoza Fall in the House of Morlanes, sponsored by the City Council. In this issue there is a shift in the conception, and introduces two categories of art, one free and one experimental. Touring the exhibition begin to remember my collaboration in this event, for example, the layout of the catalog of 76 Hall, in 2000, held in the Hall of Bayeu Brothers, headquartered in the building Pignatelli Government of Aragon. Teresa also Fat, Fat Aurelio daughter participated in 80 jury concluded Hall in 2004 in the House of Morlanes.

The Fat File Barboza keep almost all of the catalogs since 1932, which was held the eighth Hall, and as for those dates and photographer Dr. Aurelio Fat participated as a vocal and the admission committee of the competition. Also in those years, the partners had a section out of competition, which accompanied the photos involved in it, and Grease, as well as participate, we reproduce his work, as well as other partners such as Joachim of Gabriel, or is, Gil Marraco.

The X Room Zaragoza 1934 was celebrated with fanfare, performing one of the best catalogs, which I commented in the newsletter RFZ No. 112 which models, and wrote the following: When the International Photography Hall turns 80 years, a record of these calls, both in Spain and Europe, want to go back a bit to the origins of this event and how it was forged. I have my hands on the catalog Hall, 1934, a true jewel of the literature, both for its content and the beauty of its design and layout, which I analyze as it contains information of great interest ... ...

then published in photogravure reproductions of photos where the 275 authors selected 53 authors only play with their photos, and among them is the picture Snow A Fat, which vowel goes to jury admission classification. With the change of format catalog begin to participate the first photographic society women such as Borobia Elisa Gonzalez, Maria Luisa Jordan Head and Maria Cirino, who with her husband, Aurelio, has color photos of his trip to Italy in the Hall of XXVIII 1952 and playing the first color photograph in a catalog of the International, entitled Lake Como A Fat.

In this blog we present a picture of the jury of admission and classification of these rooms in the 40's, among which are the first ten feet, from left to right: Manuel Serrano Sanchez, Sebastian Cortes Gomez, Aurelio Fat Sancho, Guillermo Fatás Ojuel, "Maria Luisa Elisa Borobia or Head?, Pascual Martín Triep, Joaquin Gil Marraco .... unknown Pascual Nogueras, Lacroix. Seated Almarza Lorenzo, Luis Garcia and Antonio Garcia Pascual Garrabella. Teresa did a study of this photo in the newsletter No 89 of 1998.

XXXII In the Salon of 1956, the young drop appears as a Jury and the Jury Tartón Carmelo admission, stating with the bigger drop, Tartón and Duce. Here begins the generational shift of the photographer, then they are the ones who will be outstanding that this important event photography continues to this day. The last appearance of fat a color photo was Capri, in the Hall XXXVIII of 1962, although Judge continues in the following, and died in 1972.

Curiously in 1998, had difficulty finding a room where they exhibit the works, and then an exhibit of 74 photo Hall Art Gallery Costa 3, in the space lab and photo studio was Dr. Fat from 1927, which revealed all his photographic work and kept there all your file, we hold today. They join in a time of staff members and supporters of this important international event for the city of Zaragoza.

Hall, 86 held today in the House of Morlanes is an opportunity to taste good photography is done in the world today, bringing together in 28 countries subject to experimental 74 authors and 60 works selected, and free theme 35 countries with 156 authors and 60 works selected. There are pieces of research on new technologies that enable artists to push the limits of reality with real issues. In traditional photography, cameras and photographic sensitivities allow for clarity and ambiances make photography an art of communication plastic great vitality.

Carlos Barboza Vargas

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Official Blog of the artists Carlos Barboza Vargas, Teresa Fat Jord? Ny Aurelio Sanchez

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SCENE and his first success in the Legislature

A law was passed that benefits the new venues of the City of Buenos Aires

The city legislature of Buenos Aires just to approve a bill that recognizes and protects "the vitality and ongoing creation of new cultural spaces."

Through this new law, amended Article 2.1.8 of the Code of ratings that prevented the operation of scenic areas as long as not having the municipal authorization to do so. With this change, these spaces are authorized to operate with the initiation of the necessary formalities.

also been given a special term for those areas which have started functioning from December 20, 2006 and entry into force of this law, and have not yet begun rating record, so they can continue trading until June 30, 2011, subject to compliance with basic requirements of health and safety.

Finally, the law covers the situation of those scenic areas for various reasons (increased rent, sale of property, etc.) can not continue to operate in spaces that are enabled. In its article 3 are given a period of six months to work on a new headquarters without authorization record also started and meet basic safety requirements and safety. A consolidated theaters, the name given to spaces that became operational on 20 December 2006 onwards, they have an item b) thereof.

for scenes, the enactment of this regulation means the first step of many that are needed to give, as is well expressed in the foundations of the new law, building a comprehensive legal framework "of how emerging independent cultural spaces which constitute the rich hotbed of cultural phenomenon that takes place in Buenos Aires. " SCENE

recognizes the work of each and every one of the officials, lawmakers and advisers who were involved in the discussion and drafting of the project that became law today. Also deserves mention support for the initiative received from the Ombudsman of the City, CTA, arteias, various media and a large number of distinguished colleagues in dance and theater. SCENE

But especially like to thank the massive presence of the public during the WEEK SCENE DOSMILDIEZ, First Festival of Independent Theatre and Dance, which were obtained over 1500 signatures to adhere to the proposals and actions of this new emerging entity that gathers 16 scenic areas of the city.

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FRANCISCO AURELIO PHOTOGRAPHY FAT IN 1913

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Francisco Marín Bagüés When is a grant from the Diputación Provincial de Zaragoza to train in Italy between 1909 and 1912, Europe was undergoing a major transformation in the field of technology and research, and political, with the rise of socialism, communism, and anarchists. In the field of art, and Matisse Paris No leads the Fauvism, after Picasso and Braque, with Analytical Cubism in 1909, burst into this world, proposing a way to make and feel that makes the painting and not the same. In parallel, Marinetti published the first Futurist Manifesto in The Paris Figaro in 1909. Later, in Central born in 1911 Expressionism, ending with Kandinsky in abstract art. In Latin America, are also beginning to revolutionize and Mexico with Dr. Alt began what would later be called Socialist Realism , applied and developed in the first socialist revolution in 1910, with Diego Rivera, first influenced by Zuloaga and then by Picasso's Cubism becomes, Orozco and Siqueiros with the parents of this movement in America.

Meanwhile, the young Marin Bagüés, study the great masters in Rome, Florence and Venice, reinforcing his great ability as a draftsman and painter. His interest to expand knowledge, led him to travel to Paris in 1911 and certainly in this city of Modern Art, would have access to all these artistic movements. His desire to see the world and art, leading to Brussels, Bruges, Ghent and Amsterdam, where would the great Rembrandt and Dutch art.

In 1913 he returned to Zaragoza where he established and was named the Academy of Fine Arts of San Luis and Museum Curator of Painting, where he set up his private studio and will teach and perform and archive their work. By this time, I was working from 1910 as a photojournalist for the Heraldo de Aragón and ABC, the young photographer and student of Medicine, Fat Aurelio, who is befriended by the painter and his circle of artists Aragon, for this photograph their works, as the picture of his friend Peruzo, signed in 1913, artistic events, as Zuloaga's visit to Zaragoza in the same year, in order to impose their art in this generation and to vitalize the figure of Goya in Aragón, especially the rescue of the birthplace in Fuendetodos. Of these contacts was born the Great Exhibition of Artists Zuloaga and Aragon, 1916.

currently in Chambers Cajalón Exhibition in Zaragoza, is an exhibition curated by professor and student of the painter, Manuel García Wadding, called Bagüés Francisco Marín, 1879-1961 in Private Collections . Here we see the painter's pictorial journey from his early paintings and juicy with a realistic and popular trend, from 1903 to 1909. His close My room Rome, like its Self , 1910 which is assimilating modernism then apply in posters like the Heraldo de Aragón or a portrait of his brother in charcoal-like photos of Ortiz Echagüe, years later.

As we said, Zuloaga became leader of this group of painters who follow his aesthetic Aragon - which was formally rejected in Spain, - looking at the rural world their traditions, their dress, their tools and their environment. You may also be called social realism, in which the painters who took refuge in parallel with the artistic movements Parisians put their skills and sensitivity to rescue the future this world would disappear with the advance of technology, the plane, car, cinema and the great discoveries. Bagüés Marin gives good examples of rural Aragon in this exhibition.

The portrait painter serves the Leciñena to evolve and is interestingly, after 36 years and nearly 40 years in his work, his mode of its subject, undergoes a change technical and conceptual, and it enters what is sure seen or studied in Italy and Paris, using methods Cubist and Italian Futurism, although not applied in the machine like this, but in popular songs as chickens 's career 1953. The expressionism of his later drawings and paintings update to this great painter who decided to exercise all its plastic qualities in Aragon.

Carlos Barboza Vargas

Official Blog of the artists Carlos Barboza Vargas, Teresa Fat Jord? Ny Aurelio Sanchez

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