Thursday, September 30, 2010

Quick Exotic Eyemake Up

function Funambule Patriotic tribute to Castelli

to commemorate the 198 th anniversary of the death of Dr. Juan José Castelli, the Company presents Patriotic Function version of:

THREE JUDGES FOR A LONG SILENCE
Andres Lizarraga


Monday 11 October, 18.30 pm.

only function
FORWARD FOUNDATION
Av Pedro de Mendoza 1929, La Boca
Admission: 25 pesos
(includes snack homeland)
Reservations: funciones.patrioticas2010 @ gmail . com

Three Judges for a Long Silence is a historical drama that exposes starkly the past revolutionary days of Juan José Castelli, their participation in the North campaign, the defeat at the Battle of Huaqui, bizarre trial that is submitted, the treachery of his former comrades, the relentless advance of his illness, death, fear of oblivion.

Too much data for the Society of Patriotic functions, following strictly the ineffable theatrical provision that says that less than usual, and in all cases, it is, prefers to concentrate its meager efforts to adapt only ⅓ of this great epic Andres Lopez.

Cast: Paolo Baseggio, Ernest Fontes, Leandro Ibarra, Claudia Mac Auliffe, Daniel Miranda, Natalia Olabe and Guillermo Valdez

Lights: Fernanda Balcells

Photo: Jorge Marino

Assistant Director: Paula Banfi

Script and direction: Martin Seijo


Juan José Castelli was a notable lawyer and politician of United Provinces of Río de la Plata, who sought by every means that the May Revolution was not gentrified as had happened before in France.

First Member of the Board and right hand of Mariano Moreno, Castelli was sent to Cordoba to oversee the execution of Santiago de Liniers, and then marched with the Northern Army to Alto Peru, where he took a series of measures of great importance for the peoples of the region (abolition of the half and indigenous servitude, authorization of free trade, land distribution among workers, is expressly prohibited to establish new convents and parishes) automatically thereby earning the resentment of all the elite of Buenos Aires. After achieving some victories
auspicious, the Northern Army was defeated by the royalist troops commanded by José Manuel de Goyeneche in the battle of Huaqui. On his return to Buenos Aires, the First Triumvirate decided to bring suit to Castelli, be accountable for the military defeat. Double

paradox of history! Castelli died on October 12 of a cancer victim in their language, the same who used to vehemently oppose English rule.


For the playwright Andrés Lizarraga, Casa de las Americas prize, 1960 was undoubtedly his great year because they came to release a total of five works by him: The Chariot Eternity, Alto Peru, St. Joan of America , Los Linares and three judges for a long silence. The premiere of this last title was in charge of the Latin American Theatre (OLAT), directed by Yirair Mossi, in honor of sesquicentennial of the Revolution of May.

At that time, Lopez, a writer committed to the historical, it was the following question: "Can we be so cerebral as to write a play without rage, without haste, without fear, transforming our cranial mass producing a perfect frigidaire literary cubes? "If this same question today, what would be our response? Brrr! Cold!


The Company Features Patriotic aims to establish itself as a stable group, in a country other unstable, which performs only on national holidays and whose repertoire must be limited to reasons related to the Patria and the history of our country.

With more than two years of experience, the Company released three shows: The Giant Poppies, by Juan Bautista Alberdi (filed August 17, 2008), The Neurosis of Famous Men in History Argentina, Jose Ramos Mejía (submitted on August 17 and November 10, 2009); Policy Casera, Exequiel Soria (filed May 25, July 9 and August 17, 2010).

is essential to clarify that the work of the Company may be revisionist or restorative, depending on the ideological mood in which its members are to face each of their projects patriotic.

www.funcionespatrioticas.blogspot.com



Tuesday, September 21, 2010

Belly Button Pain 3 Weeks After C-section

Substitute

---------------



There are days ...

substitutions work I can sometimes, when it is complicated and no time to change the chip.

Not that I can, I need to stand up, take a breath and breathe.

to a month before the competitions, for which it is supposed to be studying for hours, I get work everywhere.

This is what happens when one turns out to be an artist to call Mr. Murphy in his life.

I was wrong to marry. Mr. Murphy, a man seriously funny, wickedly funny, it seems the more often the true love of my life.

tomorrow and will double shift: morning in drogodicción center and in the afternoon, no time to eat, another mental health ... And among all

I will be with the best of my smile, and be patient.

There is no doubt that I can with everything, and I will take over half an hour of my life to review any matter, nor to say that I did not open the damn books oposisiciones.

I'm not complaining, it's the path I chose two years ago.

But ... Do you have to come all at once? in my case yes I am the specialist in professional and life carambola.

But tonight, I laugh because when all said and done everything, everything is ... so ironic.

Saturday, September 11, 2010

Why Is Berry Aneurysm Happening

really commit absent


----------------------------------------- -----------------

Quiet,

distracted

vigilant

reflective.

light every morning, slowly changing tone.

The sun comes out, yes, a little later.

Air is taking the dim coolness of autumn sunsets.

I look to the West, each evening at sunset. Miro ...

reflective

vigilant

distracted

Quiet.

Thursday, September 9, 2010

Can You Do Griha Pravesh While Pregnant?

brown recommended: PERFORMANCES. REVOLUTION. ROJAS

PUPPO GUZMÁN Obersztern + + + MUÑOZ
4 ARTISTS PERFORMANCES + 4 + 4 BOARDS


Features: Saturdays 11, 18, Sept. 25 / 9, 16, 23 and October 30

Performances Tour 4: 20 pm

. Puppo
registry: a census

20.20hs bicentennial. Espina
Obersztern no peito

21.30hs. Tomato paste
Guzmán

22hs. Muñoz
All these people: a conference

Pass: $ 28 (includes 4 performances)
Ricardo Rojas Cultural Center. Av Corrientes 2038

REGISTRATION bicentennial census
by Oria Puppo

Concept:

from two lines and used as motor: Exploring

bicentennial as talking is, in this case, explore over time.

• The time of the earth and its inhabitants.

temporary registration, photography and its relationship to time, is marked in that split second. The bicentennial is not fashionable, is nearly empty and looked sideways. This only affirmed the idea of \u200b\u200bpaying a single, tiny reflection or reading about it. Celebrate the beginning, do not forget that we are part of a huge group of people as different as one can imagine. To think that this gap is filled by us and our ancestors. Trying to give testimony to this.

"The pulse of history. Ephemeral How can perceive the irreversible movement of time and the time duration? Finding the inner pulse of the story without having to tell it. Keeping the two hundred years that separate us from our origins in the distance and explore.

A As man's eternal time. A man like a self-image at every moment of this time, every moment like one now.

flow image. Achieve a sense of what it was yesterday. Establish a tree without roots.

A tree without roots. Suggest the possibility of finding their place in the past. To choose a contemporary of Moreno et al. Making history, a geographic map, a space, shifting the image in time and space.

This facility does not have what we were or what we are, just trying to get closer to what it means to be, being in history, being a relative time. "Oria Puppo

Tab Technique:
Interpret-photographer: Ernesto Donegana / Support Cecilia Stanovnik / recordings off: Laurent Berger, Ernesto Donegana, Stella Galazzi, Garillo Rodrigo Gonzalez, Javier Lorenzo, Marilu Marini, Luciano Suardi, Alejandro Tantanian, Diego Velazquez, Ailin Veraldi / Concept and Installation: Oria Puppo


THORN NO PEITO
by Mariana Obersztern

Concept:

"About-advised zeal, but not-that have quietly investigated the Argentine people in all society, in relation to the neighboring country of Brazil.

The rivalry with the homeland neighbor is already a matter of time, yes, but the specific emotion of which I speak, perhaps rooted in the old patina after he began to take shape when Luiz Inacio Lula da Silva was elected president. Next, the proclamation of the Zero Hunger and civic alignment of the people against the various measures of strong social content implemented by his government, but did not increase in our eyes Argentina and enraptured the assumption that people living and leading a kind of bold romance . Espina peito no stigma unconfessed collects and postulates that look as radical as a lazy solution: just emulating the external features of a people we can lay hold of his virtues.

This performance is a kind of psychodrama of folly: an architecture with lots of random ways with which we try to shed light, or on the contrary, the texture of our enigmatic zeal. "Mariana Obersztern

Sheet: Light

Lassizuk, Lorena Gonzalez Bender, Cecilia Rainier, Marina Jurberg, Ernest Fontes, Mac Auliffe Claudia, Laura Gamberg, Barbara Francis, Martin Seijo and Mariana Obersztern / Lighting: Gonzalo Cordova / Concept / Director: Mariana Obersztern.


TOMATO PUREE
by Mauro Guzman

Concept:

Guzman staged production mechanisms of his work, this time work means play. Working backstage with the image of a work that does not exist, with the remnants of past productions.

raw test and presentation of visual and performing election articulated action devices. Guzman works rehearse scenes with the intention that this test is in itself a work.

artwork, play. Languages \u200b\u200bmerge in search of a new, another artistic construction. On the Performance

:

"Working intuitively from parameters that I built and inventing order to incorporate new logic of production that belong to different artistic languages.

improvisation, testing, theory building useful and useless, are mechanisms used again and again to articulate own and other cultural residues.

production processes of my work involves pollution, imbalance, obsession, trance and the articulation of these drives.

As a producer I fantasize about the possibility of getting lost, being swallowed by a screen as in The Purple Rose of Cairo. "

Mauro Guzman Credits:
Actors: Alexis Muiños, Marcelo Linares, Mauro Guzman / Production: Broccoli Studio / Production Assistants: Emiliano Pontelli - Daniel Gero / Costume: Emiliano Pontelli / Concept: Mauro Guzman - Nancy Rojas / Address: Mauro Guzman

ALL THESE PEOPLE: A CONFERENCE
by Agustina Muñoz

Concept:

This performance is a conference. Search traced through pictures, scenes and dialogues scattered stories of several characters. But it is not known whether this information is true or an invention of narrating. The seriousness of the narrative may be a gimmick. I can show your picture to someone and invent what you want. Your face in that picture will change for forever. And also what you imagine of that person. And that counts for you. All these people in the world, live. And so you are building history, getting hit in the lives of others a few minutes ago were complete strangers. Yesterday, nothing, love today. Love yesterday, today nothing. Or something, but love, not anymore. And so ...

About Performance:

Who are all these people in the world? Why lie, why are separated, have kids, trick or crash their cars? That stranger who travels by subway, tomorrow may be the father of my children or to save me from certain death, or kill me. One man who does not speak throughout the festival and when it does sounds totally stupid and then refuses to put money for the birthday gift can be a brilliant mathematician, a pimp to be feared, an artist from those which are then used to name an entire way of doing things. Did we change to know why the other? That one is my invention? As a construction information, hazards and desires. As a pop singer swept away by the marketing that makes playback.

sheet:

Script and direction: Agustina Muñoz / Artistic collaboration: Sebastian Arpesella and Laura Gamberg / Creative Assistance and Display: Eugenia Diaz / Photo: Sebastian Arpesella