Fat
Francisco Marín Bagüés When is a grant from the Diputación Provincial de Zaragoza to train in Italy between 1909 and 1912, Europe was undergoing a major transformation in the field of technology and research, and political, with the rise of socialism, communism, and anarchists. In the field of art, and Matisse Paris No leads the Fauvism, after Picasso and Braque, with Analytical Cubism in 1909, burst into this world, proposing a way to make and feel that makes the painting and not the same. In parallel, Marinetti published the first Futurist Manifesto in The Paris Figaro in 1909. Later, in Central born in 1911 Expressionism, ending with Kandinsky in abstract art. In Latin America, are also beginning to revolutionize and Mexico with Dr. Alt began what would later be called Socialist Realism , applied and developed in the first socialist revolution in 1910, with Diego Rivera, first influenced by Zuloaga and then by Picasso's Cubism becomes, Orozco and Siqueiros with the parents of this movement in America.
Meanwhile, the young Marin Bagüés, study the great masters in Rome, Florence and Venice, reinforcing his great ability as a draftsman and painter. His interest to expand knowledge, led him to travel to Paris in 1911 and certainly in this city of Modern Art, would have access to all these artistic movements. His desire to see the world and art, leading to Brussels, Bruges, Ghent and Amsterdam, where would the great Rembrandt and Dutch art.
In 1913 he returned to Zaragoza where he established and was named the Academy of Fine Arts of San Luis and Museum Curator of Painting, where he set up his private studio and will teach and perform and archive their work. By this time, I was working from 1910 as a photojournalist for the Heraldo de Aragón and ABC, the young photographer and student of Medicine, Fat Aurelio, who is befriended by the painter and his circle of artists Aragon, for this photograph their works, as the picture of his friend Peruzo, signed in 1913, artistic events, as Zuloaga's visit to Zaragoza in the same year, in order to impose their art in this generation and to vitalize the figure of Goya in Aragón, especially the rescue of the birthplace in Fuendetodos. Of these contacts was born the Great Exhibition of Artists Zuloaga and Aragon, 1916.
currently in Chambers Cajalón Exhibition in Zaragoza, is an exhibition curated by professor and student of the painter, Manuel García Wadding, called Bagüés Francisco Marín, 1879-1961 in Private Collections . Here we see the painter's pictorial journey from his early paintings and juicy with a realistic and popular trend, from 1903 to 1909. His close My room Rome, like its Self , 1910 which is assimilating modernism then apply in posters like the Heraldo de Aragón or a portrait of his brother in charcoal-like photos of Ortiz Echagüe, years later.
As we said, Zuloaga became leader of this group of painters who follow his aesthetic Aragon - which was formally rejected in Spain, - looking at the rural world their traditions, their dress, their tools and their environment. You may also be called social realism, in which the painters who took refuge in parallel with the artistic movements Parisians put their skills and sensitivity to rescue the future this world would disappear with the advance of technology, the plane, car, cinema and the great discoveries. Bagüés Marin gives good examples of rural Aragon in this exhibition.
The portrait painter serves the Leciñena to evolve and is interestingly, after 36 years and nearly 40 years in his work, his mode of its subject, undergoes a change technical and conceptual, and it enters what is sure seen or studied in Italy and Paris, using methods Cubist and Italian Futurism, although not applied in the machine like this, but in popular songs as chickens 's career 1953. The expressionism of his later drawings and paintings update to this great painter who decided to exercise all its plastic qualities in Aragon.
Carlos Barboza Vargas
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