PUPPO GUZMÁN Obersztern + + + MUÑOZ
4 ARTISTS PERFORMANCES + 4 + 4 BOARDS
Features: Saturdays 11, 18, Sept. 25 / 9, 16, 23 and October 30
Performances Tour 4: 20 pm
. Puppo
registry: a census
20.20hs bicentennial. Espina
Obersztern no peito
21.30hs. Tomato paste
Guzmán
22hs. Muñoz
All these people: a conference
Pass: $ 28 (includes 4 performances)
Ricardo Rojas Cultural Center. Av Corrientes 2038
REGISTRATION bicentennial census
by Oria Puppo
Concept:
from two lines and used as motor: Exploring
bicentennial as talking is, in this case, explore over time.
• The time of the earth and its inhabitants.
temporary registration, photography and its relationship to time, is marked in that split second. The bicentennial is not fashionable, is nearly empty and looked sideways. This only affirmed the idea of \u200b\u200bpaying a single, tiny reflection or reading about it. Celebrate the beginning, do not forget that we are part of a huge group of people as different as one can imagine. To think that this gap is filled by us and our ancestors. Trying to give testimony to this.
"The pulse of history. Ephemeral How can perceive the irreversible movement of time and the time duration? Finding the inner pulse of the story without having to tell it. Keeping the two hundred years that separate us from our origins in the distance and explore.
A As man's eternal time. A man like a self-image at every moment of this time, every moment like one now.
flow image. Achieve a sense of what it was yesterday. Establish a tree without roots.
A tree without roots. Suggest the possibility of finding their place in the past. To choose a contemporary of Moreno et al. Making history, a geographic map, a space, shifting the image in time and space.
This facility does not have what we were or what we are, just trying to get closer to what it means to be, being in history, being a relative time. "Oria Puppo
Tab Technique:
Interpret-photographer: Ernesto Donegana / Support Cecilia Stanovnik / recordings off: Laurent Berger, Ernesto Donegana, Stella Galazzi, Garillo Rodrigo Gonzalez, Javier Lorenzo, Marilu Marini, Luciano Suardi, Alejandro Tantanian, Diego Velazquez, Ailin Veraldi / Concept and Installation: Oria Puppo
THORN NO PEITO
by Mariana Obersztern
Concept:
"About-advised zeal, but not-that have quietly investigated the Argentine people in all society, in relation to the neighboring country of Brazil.
The rivalry with the homeland neighbor is already a matter of time, yes, but the specific emotion of which I speak, perhaps rooted in the old patina after he began to take shape when Luiz Inacio Lula da Silva was elected president. Next, the proclamation of the Zero Hunger and civic alignment of the people against the various measures of strong social content implemented by his government, but did not increase in our eyes Argentina and enraptured the assumption that people living and leading a kind of bold romance . Espina peito no stigma unconfessed collects and postulates that look as radical as a lazy solution: just emulating the external features of a people we can lay hold of his virtues.
This performance is a kind of psychodrama of folly: an architecture with lots of random ways with which we try to shed light, or on the contrary, the texture of our enigmatic zeal. "Mariana Obersztern
Sheet: Light
Lassizuk, Lorena Gonzalez Bender, Cecilia Rainier, Marina Jurberg, Ernest Fontes, Mac Auliffe Claudia, Laura Gamberg, Barbara Francis, Martin Seijo and Mariana Obersztern / Lighting: Gonzalo Cordova / Concept / Director: Mariana Obersztern.
TOMATO PUREE
by Mauro Guzman
Concept:
Guzman staged production mechanisms of his work, this time work means play. Working backstage with the image of a work that does not exist, with the remnants of past productions.
raw test and presentation of visual and performing election articulated action devices. Guzman works rehearse scenes with the intention that this test is in itself a work.
artwork, play. Languages \u200b\u200bmerge in search of a new, another artistic construction. On the Performance
:
"Working intuitively from parameters that I built and inventing order to incorporate new logic of production that belong to different artistic languages.
improvisation, testing, theory building useful and useless, are mechanisms used again and again to articulate own and other cultural residues.
production processes of my work involves pollution, imbalance, obsession, trance and the articulation of these drives.
As a producer I fantasize about the possibility of getting lost, being swallowed by a screen as in The Purple Rose of Cairo. "
Mauro Guzman Credits:
Actors: Alexis Muiños, Marcelo Linares, Mauro Guzman / Production: Broccoli Studio / Production Assistants: Emiliano Pontelli - Daniel Gero / Costume: Emiliano Pontelli / Concept: Mauro Guzman - Nancy Rojas / Address: Mauro Guzman
ALL THESE PEOPLE: A CONFERENCE
by Agustina Muñoz
Concept:
This performance is a conference. Search traced through pictures, scenes and dialogues scattered stories of several characters. But it is not known whether this information is true or an invention of narrating. The seriousness of the narrative may be a gimmick. I can show your picture to someone and invent what you want. Your face in that picture will change for forever. And also what you imagine of that person. And that counts for you. All these people in the world, live. And so you are building history, getting hit in the lives of others a few minutes ago were complete strangers. Yesterday, nothing, love today. Love yesterday, today nothing. Or something, but love, not anymore. And so ...
About Performance:
Who are all these people in the world? Why lie, why are separated, have kids, trick or crash their cars? That stranger who travels by subway, tomorrow may be the father of my children or to save me from certain death, or kill me. One man who does not speak throughout the festival and when it does sounds totally stupid and then refuses to put money for the birthday gift can be a brilliant mathematician, a pimp to be feared, an artist from those which are then used to name an entire way of doing things. Did we change to know why the other? That one is my invention? As a construction information, hazards and desires. As a pop singer swept away by the marketing that makes playback.
sheet:
Script and direction: Agustina Muñoz / Artistic collaboration: Sebastian Arpesella and Laura Gamberg / Creative Assistance and Display: Eugenia Diaz / Photo: Sebastian Arpesella
4 ARTISTS PERFORMANCES + 4 + 4 BOARDS
Features: Saturdays 11, 18, Sept. 25 / 9, 16, 23 and October 30
Performances Tour 4: 20 pm
. Puppo
registry: a census
20.20hs bicentennial. Espina
Obersztern no peito
21.30hs. Tomato paste
Guzmán
22hs. Muñoz
All these people: a conference
Pass: $ 28 (includes 4 performances)
Ricardo Rojas Cultural Center. Av Corrientes 2038
REGISTRATION bicentennial census
by Oria Puppo
Concept:
from two lines and used as motor: Exploring
bicentennial as talking is, in this case, explore over time.
• The time of the earth and its inhabitants.
temporary registration, photography and its relationship to time, is marked in that split second. The bicentennial is not fashionable, is nearly empty and looked sideways. This only affirmed the idea of \u200b\u200bpaying a single, tiny reflection or reading about it. Celebrate the beginning, do not forget that we are part of a huge group of people as different as one can imagine. To think that this gap is filled by us and our ancestors. Trying to give testimony to this.
"The pulse of history. Ephemeral How can perceive the irreversible movement of time and the time duration? Finding the inner pulse of the story without having to tell it. Keeping the two hundred years that separate us from our origins in the distance and explore.
A As man's eternal time. A man like a self-image at every moment of this time, every moment like one now.
flow image. Achieve a sense of what it was yesterday. Establish a tree without roots.
A tree without roots. Suggest the possibility of finding their place in the past. To choose a contemporary of Moreno et al. Making history, a geographic map, a space, shifting the image in time and space.
This facility does not have what we were or what we are, just trying to get closer to what it means to be, being in history, being a relative time. "Oria Puppo
Tab Technique:
Interpret-photographer: Ernesto Donegana / Support Cecilia Stanovnik / recordings off: Laurent Berger, Ernesto Donegana, Stella Galazzi, Garillo Rodrigo Gonzalez, Javier Lorenzo, Marilu Marini, Luciano Suardi, Alejandro Tantanian, Diego Velazquez, Ailin Veraldi / Concept and Installation: Oria Puppo
THORN NO PEITO
by Mariana Obersztern
Concept:
"About-advised zeal, but not-that have quietly investigated the Argentine people in all society, in relation to the neighboring country of Brazil.
The rivalry with the homeland neighbor is already a matter of time, yes, but the specific emotion of which I speak, perhaps rooted in the old patina after he began to take shape when Luiz Inacio Lula da Silva was elected president. Next, the proclamation of the Zero Hunger and civic alignment of the people against the various measures of strong social content implemented by his government, but did not increase in our eyes Argentina and enraptured the assumption that people living and leading a kind of bold romance . Espina peito no stigma unconfessed collects and postulates that look as radical as a lazy solution: just emulating the external features of a people we can lay hold of his virtues.
This performance is a kind of psychodrama of folly: an architecture with lots of random ways with which we try to shed light, or on the contrary, the texture of our enigmatic zeal. "Mariana Obersztern
Sheet: Light
Lassizuk, Lorena Gonzalez Bender, Cecilia Rainier, Marina Jurberg, Ernest Fontes, Mac Auliffe Claudia, Laura Gamberg, Barbara Francis, Martin Seijo and Mariana Obersztern / Lighting: Gonzalo Cordova / Concept / Director: Mariana Obersztern.
TOMATO PUREE
by Mauro Guzman
Concept:
Guzman staged production mechanisms of his work, this time work means play. Working backstage with the image of a work that does not exist, with the remnants of past productions.
raw test and presentation of visual and performing election articulated action devices. Guzman works rehearse scenes with the intention that this test is in itself a work.
artwork, play. Languages \u200b\u200bmerge in search of a new, another artistic construction. On the Performance
:
"Working intuitively from parameters that I built and inventing order to incorporate new logic of production that belong to different artistic languages.
improvisation, testing, theory building useful and useless, are mechanisms used again and again to articulate own and other cultural residues.
production processes of my work involves pollution, imbalance, obsession, trance and the articulation of these drives.
As a producer I fantasize about the possibility of getting lost, being swallowed by a screen as in The Purple Rose of Cairo. "
Mauro Guzman Credits:
Actors: Alexis Muiños, Marcelo Linares, Mauro Guzman / Production: Broccoli Studio / Production Assistants: Emiliano Pontelli - Daniel Gero / Costume: Emiliano Pontelli / Concept: Mauro Guzman - Nancy Rojas / Address: Mauro Guzman
ALL THESE PEOPLE: A CONFERENCE
by Agustina Muñoz
Concept:
This performance is a conference. Search traced through pictures, scenes and dialogues scattered stories of several characters. But it is not known whether this information is true or an invention of narrating. The seriousness of the narrative may be a gimmick. I can show your picture to someone and invent what you want. Your face in that picture will change for forever. And also what you imagine of that person. And that counts for you. All these people in the world, live. And so you are building history, getting hit in the lives of others a few minutes ago were complete strangers. Yesterday, nothing, love today. Love yesterday, today nothing. Or something, but love, not anymore. And so ...
About Performance:
Who are all these people in the world? Why lie, why are separated, have kids, trick or crash their cars? That stranger who travels by subway, tomorrow may be the father of my children or to save me from certain death, or kill me. One man who does not speak throughout the festival and when it does sounds totally stupid and then refuses to put money for the birthday gift can be a brilliant mathematician, a pimp to be feared, an artist from those which are then used to name an entire way of doing things. Did we change to know why the other? That one is my invention? As a construction information, hazards and desires. As a pop singer swept away by the marketing that makes playback.
sheet:
Script and direction: Agustina Muñoz / Artistic collaboration: Sebastian Arpesella and Laura Gamberg / Creative Assistance and Display: Eugenia Diaz / Photo: Sebastian Arpesella
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